typical values at TA =
25°C, VA19 = 1.9 V, VA11 = VD11 = 1.1 V, default full-scale voltage (FS_RANGE_A =
FS_RANGE_B = 0xA000), input signal applied to INA± in single-channel modes,
fIN = 347 MHz, AIN = –1 dBFS, fCLK = 5.2GHz,
filtered, 1-VPP sine-wave clock, JMODE = 7, dither enabled with default
settings, VA11, VD11 and VS11 noise suppression ON (EN_VA11_NOISE_SUPPR = EN_VD11_NOISE_SUPPR = EN_VS11_NOISE_SUPPR = 1), and background calibration (unless otherwise
noted); SNR results exclude DC, HD2 to HD9 and interleaving spurs; SINAD, ENOB, and
SFDR results exclude DC and fixed-frequency interleaving spurs
| Relative to 0 Hz, FG
calibration |
Figure 5-1 Input
Amplitude vs Input Frequency
Figure 5-3 DNL
vs ADC Code
Figure 5-5 DES
Mode: Single Tone FFT at 347 MHz
Figure 5-7 DES
Mode: Single Tone FFT at 2397 MHz
Figure 5-9 DES
Mode: Single Tone FFT at 5597 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-11 DES
Mode: Two Tone FFT at 347 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-13 DES
Mode: Two Tone FFT at 2397 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-15 DES
Mode: Two Tone FFT at 5597 MHz
Figure 5-17 Dual
Channel Mode: Single Tone FFT at 347 MHz
Figure 5-19 Dual
Channel Mode: Single Tone FFT at 2397 MHz
Figure 5-21 Dual
Channel Mode: Single Tone FFT at 5597 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-23 Dual
Channel Mode: Two Tone FFT at 347 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-25 Dual
Channel Mode: Two Tone FFT at 897 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-27 Dual
Channel Mode: Two Tone FFT at 5597 MHz
Figure 5-29 DES
Mode: SNR vs Sample Rate
Figure 5-31 DES
Mode: SNR vs Sample Rate
Figure 5-33 DES
Mode: SFDR vs Sample Rate
Figure 5-35 DES
Mode: HD2 vs Sample Rate
Figure 5-37 DES
Mode: HD2 vs Sample Rate
Figure 5-39 DES
Mode: HD3 vs Sample Rate
Figure 5-41 DES
Mode: FS/2 - FIN vs Sample Rate
Figure 5-43 DES
Mode: FS/4 - FIN vs Sample Rate
Figure 5-45 Dual
Channel Mode: SNR vs Sample Rate
Figure 5-47 Dual
Channel Mode: SFDR vs Sample Rate
Figure 5-49 Dual
Channel Mode: SFDR vs Sample Rate
Figure 5-51 Dual
Channel Mode: HD2 vs Sample Rate
Figure 5-53 Dual
Channel Mode: HD3 vs Sample Rate
Figure 5-55 Dual
Channel Mode: HD3 vs Sample Rate
Figure 5-57 DES
Mode: SNR vs Input Amplitude
Figure 5-59 DES
Mode: SFDR vs Input Amplitude
Figure 5-61 DES
Mode: HD2 vs Input Amplitude
Figure 5-63 DES
Mode: HD3 vs Input Amplitude
Figure 5-65 DES
Mode: FS/2 - FIN vs Input Amplitude
Figure 5-67 DES
Mode: FS/4 + FIN vs Input Amplitude
Figure 5-69 DES
Mode: FS/4 - FIN vs Input Amplitude
Figure 5-71 Dual
Channel Mode: SNR vs Input Amplitude
Figure 5-73 Dual
Channel Mode: SFDR vs Input Amplitude
Figure 5-75 Dual
Channel Mode: HD2 vs Input Amplitude
Figure 5-77 Dual
Channel Mode: HD3 vs Input Amplitude
Figure 5-79 Dual
Channel Mode: FS/2 - FIN vs Input Amplitude
Figure 5-81 DES
Mode: SNR vs Clock Amplitude
Figure 5-83 Dual
Channel Mode: SNR vs Clock Amplitude
| FG calibration at each
temperature |
Figure 5-85 DES
Mode: SNR, SINAD and SFDR vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 5-87 DES
Mode: SNR vs Temperature and Calibration
| FG calibration at each
temperature |
Figure 5-89 Dual
Channel Mode: SNR, SINAD and SFDR vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 5-91 Dual
Channel Mode: SNR vs Temperature and Calibration
| All supplies varied
together |
Figure 5-93 DES
Mode: SNR, SINAD and SFDR vs Supply Voltage
| All supplies varied
together |
Figure 5-95 Dual
Channel Mode: SNR and SINAD vs Supply Voltage
| All supplies varied
together |
Figure 5-97 Dual
Channel Mode: HD2, HD3 and Worst Spur vs Supply Voltage
Figure 5-99 DES
Mode: FS/2-FIN, FS/4 +/-FIN vs
Input Common Mode Voltage
Figure 5-101 DES
Mode: IMD3 vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing, not including IMD3 spurs |
Figure 5-103 DES
Mode: Two Tone SFDR vs Input Frequency
| each tone -7 dBFS, 100MHz tone
spacing |
Figure 5-105 Dual
Channel Mode: IMD3 vs Input Frequency
Figure 5-107 Dual
Channel Mode: IMD3 vs Tone Spacing
| not including IMD3 spurs,
100MHz tone spacing |
Figure 5-109 Dual
Channel Mode: Two Tone SFDR vs Input Amplitude
Figure 5-111 DES
Mode: IVA11 vs Sample Rate
Figure 5-113 DES
Mode: Power Dissipation vs Sample Rate
Figure 5-115 Dual
Channel Mode: IVA11 vs Sample Rate
Figure 5-117 Dual
Chanel Mode: Power Dissipation vs Sample Rate
Figure 5-119 Background Calibration Core Transition (AC Signal)
Figure 5-121 Background Calibration Core Transition (DC Signal)
Figure 5-123 Pulse
Overdrive Recovery
Figure 5-125 Sinewave Overdrive Recovery
| Dual channel mode, JMODE
8 |
Figure 5-2 Crosstalk vs Input Frequency 
Figure 5-4 INL
vs ADC Code
Figure 5-6 DES
Mode: Single Tone FFT at 897 MHz
Figure 5-8 DES
Mode: Single Tone FFT at 4197 MHz
Figure 5-10 DES
Mode: Single Tone FFT at 7997 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-12 DES
Mode: Two Tone FFT at 897 MHz
| each tone at -7dBFS, 100MHz
Tone Spacing |
Figure 5-14 DES
Mode: Two Tone FFT at 4197 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-16 DES
Mode: Two Tone FFT at 7997 MHz
Figure 5-18 Dual
Channel Mode: Single Tone FFT at 897 MHz
Figure 5-20 Dual
Channel Mode: Single Tone FFT at 4197 MHz
Figure 5-22 Dual
Channel Mode: Single Tone FFT at 7997 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-24 Dual
Channel Mode: Two Tone FFT at 897 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-26 Dual
Channel Mode: Two Tone FFT at 4197 MHz
| each tone at -7 dBFS, 100 MHz
Tone Spacing |
Figure 5-28 Dual
Channel Mode: Two Tone FFT at 7997 MHz
Figure 5-30 DES
Mode: SNR vs Sample Rate
Figure 5-32 DES
Mode: SFDR vs Sample Rate
Figure 5-34 DES
Mode: SFDR vs Sample Rate
Figure 5-36 DES
Mode: HD2 vs Sample Rate
Figure 5-38 DES
Mode: HD3 vs Sample Rate
Figure 5-40 DES
Mode: HD3 vs Sample Rate
Figure 5-42 DES
Mode: FS/4 + FIN vs Sample Rate
Figure 5-44 Dual
Channel Mode: SNR vs Sample Rate
Figure 5-46 Dual
Channel Mode: SNR vs Sample Rate
Figure 5-48 Dual
Channel Mode: SFDR vs Sample Rate
Figure 5-50 Dual
Channel Mode: HD2 vs Sample Rate
Figure 5-52 Dual
Channel Mode: HD2 vs Sample Rate
Figure 5-54 Dual
Channel Mode: HD3 vs Sample Rate
Figure 5-56 Dual
Channel Mode: FS/2 - FIN vs Sample Rate
Figure 5-58 DES
Mode: SNR vs Input Amplitude and Dither
Figure 5-60 DES
Mode: SFDR vs Input Amplitude and Dither
Figure 5-62 DES
Mode: HD2 vs Input Amplitude and Dither
Figure 5-64 DES
Mode: HD3 vs Input Amplitude and Dither
Figure 5-66 DES
Mode: FS/2 - FIN vs Input Amplitude and Dither
Figure 5-68 DES
Mode: FS/4 + FIN vs Input Amplitude and Dither
Figure 5-70 DES
Mode: FS/4 - FIN vs Input Amplitude and Dither
Figure 5-72 Dual
Channel Mode: SNR vs Input Amplitude and Dither
Figure 5-74 Dual
Channel Mode: SFDR vs Input Amplitude and Dither
Figure 5-76 Dual
Channel Mode: HD2 vs Input Amplitude and Dither
Figure 5-78 Dual
Channel Mode: HD3 vs Input Amplitude and Dither
Figure 5-80 Dual
Channel Mode: FS/2 - FIN vs Input Amplitude and
Dither
Figure 5-82 DES
Mode: SFDR vs Clock Amplitude
Figure 5-84 Dual
Channel Mode: SFDR vs Clock Amplitude
| FG calibration at each
temperature |
Figure 5-86 DES
Mode: HD2, HD3 and Worst Spur vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 5-88 DES
Mode: SFDR vs Temperature and Calibration
| FG calibration at each
temperature |
Figure 5-90 Dual
Channel Mode: HD2, HD3 and Worst Spur vs Temperature
| FG25 is calibrated at 25°C and
held at other temperatures, other modes recalibrated at
each temperature |
Figure 5-92 Dual
Channel Mode: SFDR vs Temperature and Calibration
| All supplies varied
together |
Figure 5-94 DES
Mode: HD2, HD3 and Worst Spur vs Supply Voltage
| All supplies varied
together |
Figure 5-96 Dual
Channel Mode: SFDR vs Supply Voltage
Figure 5-98 DES
Mode: SNR, SFDR and SINAD vs Input Common Mode Voltage
| each tone -7dBFS, 100MHz tone
spacing |
Figure 5-100 DES
Mode: IMD3 vs Input Frequency
Figure 5-102 DES
Mode: IMD3 vs Tone Spacing
| not including IMD3 spurs,
100MHz tone spacing |
Figure 5-104 DES
Mode: Two Tone SFDR vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing |
Figure 5-106 Dual
Channel Mode: IMD3 vs Input Amplitude
| each tone -7 dBFS, 100MHz tone
spacing, not including IMD3 spurs |
Figure 5-108 Dual
Channel Mode: Two Tone SFDR vs Input Frequency
Figure 5-110 DES
Mode: IVA19 vs Sample Rate
Figure 5-112 DES
Mode: IVD11 vs Sample Rate
Figure 5-114 Dual
Channel Mode: IVA19 vs Sample Rate
Figure 5-116 Dual
Channel Mode: IVD11 vs Sample Rate
| JMODES 7 (DES) and 8 (Dual
Channel) |
Figure 5-118 Power
Dissipation vs Temperature
Figure 5-120 Background Calibration Core Transition (AC Signal Zoomed)
Figure 5-122 Background Calibration Core Transition (DC Signal Zoomed)
Figure 5-124 Pulse
Overdrive Recovery Zoomed
Figure 5-126 Sinewave Overdrive Recovery